Archive for the ‘Capstone’ Category

My Favorite Kind of Vampires

10/31/22

Happy Halloween, everyone! As I mentioned in a previous blog post, I used to draw one-panel gag cartoons. Like, professionally. Only for a handful of magazines, and really just at the beginning of my writing career. These days I mostly work as a writer, and I don’t draw that much, unless you count the rough thumbnail sketches I draw for nearly every project I work on. Which definitely counts as drawing. But I don’t often show those sketches to the people I’m working with (although sometimes, I do).

Anyway, since it’s Halloween, I thought I’d post one of the gag cartoons I drew back in the day. It’s called “Vampire Nerds,” and it was originally published in the October 2006 issue of Nickelodeon Magazine. (That was the Halloween issue, as if you couldn’t tell by the cover date.) Check it out:

Obviously, vampire nerds are my favorite kind of bloodsuckers, because I myself am a massive geek. (Which you could probably tell by the fact that I write graphic novels about mythical creatures, children’s book adaptations of famous sci-fi movies, TV scripts about fairy tale characters, and scripts for uber-nerdy video games. But I digress…)

I may begin drawing cartoons again (like, professionally), because I really miss it. If that does indeed happen, I’ll definitely mention it on this blog. So keep checking this space!

 

2021 Interviews With Yours Truly!

10/19/21

Last month, I was interviewed by Rebecca Kaplan (no relation) for the geek culture site Comics Bookcase. During the interview, I talked about my career as a comic book writer and children’s author.

Around that same time, I was a guest on Jeramy Moore’s Storymakers podcast. This was a wide-ranging interview about my writing career.

And, just in case you missed them, here are some other press interviews with yours truly from earlier this year:

For Jurassic June (which happened in – wait for it – June), I was interviewed by Thomas Fishenden for the Jurassic Park Podcast. In this interview, I talked about the Jurassic Park and Jurassic World children’s books I’ve written. That interview was broken up into two parts. Part one is here, and part two is here.

In March, as part of WonderCon 2021, I was on a virtual panel that attempted to answer the question: “Who’s the most neurotic superhero?” The other panelists were Travis Langley, Leandra Parris, J.J. Sedelmeier, and R. Sikoryak. The panel was moderated by Danny Fingeroth. 

Also in March, David P. Levin hosted a panel discussion on his Pop Goes the Culture show to discuss the Disney Plus series WandaVision. I was one of the panelists. The other panelists were Danny Fingeroth, Ray Alma, Steve Van Patten, Adam Freeman, and special guest Fred Melamed, who played Vision’s boss in WandaVision.

And last but definitely not least, in February, I was a guest on the MulDiversity podcast, where I was interviewed by Jonita Davis, Mike Majett, Quamani Greer, Avia Knighten, Aaron M. Johnson, and Keisha Malone. During the interview, we discussed my career in comics, my work as a television comedy writer, and more.

“Mythical Creatures” Interview On The Beat

2/13/21

Recently, I was interviewed by Taimur Dar, a reporter for the geek culture site The Beat. In the interview, I talk about the three “Mythical Creatures” graphic novels I wrote for Capstone. All three of those GNs came out on New Year’s Day 2021. You can check out the interview HERE.

And just in case you’re wondering, the titles of the three “Mythical Creatures” graphic novels are: Frankie and the Dragon (illustrated by Cesar Samaneigo), Trevor, the Very Best Giant (illustrated by Miguel Diaz), and The Troll Under Puzzlefoot Bridge (illustrated by Alex Lopez).

Welcome to Lyric Acres!

12/31/20

Recently, I wrote three original graphic novels for kids. They are: Frankie and the Dragon (illustrated by Cesar Samaneigo), Trevor, the Very Best Giant (illustrated by Miguel Diaz), and The Troll Under Puzzlefoot Bridge (illustrated by Alex Lopez). All three of these OGNs will be published by Capstone tomorrow, Friday, January 1, 2021. That’s right, they’re all coming out on New Year’s Day!

So Happy New Year! And Happy Book Birthday to these books!

Back in October, I wrote a blog post about Frankie and the Dragon. Today, I’d like to say a few words about The Troll Under Puzzlefoot Bridge.

Here’s the official publisher description of that book:

“Noah Gruelle knew there was something odd about Puzzlefoot Bridge. But he never expected the clues to point him to Torvald, a troll living under the bridge! A mysterious spell causes Noah to get an even more up-close view of the surprising life of a troll. Learn what happens next in this exciting graphic novel!”

The Troll Under Puzzlefoot Bridge is set in the fictional town of Lyric Acres, a quiet hamlet filled with creaky Victorian houses and bare, shadow-like trees. Lyric Acres is loosely based on Baltimore, Maryland, which is the city where I was born and raised.

When I was growing up in Baltimore, I was intrigued by the fact that it’s an old city. There are historic buildings in that town that have been around for hundreds of years. And Baltimore is a spooky city. Edgar Allan Poe lived there for quite a long time. Also, there are many haunted houses in Baltimore. You can even go on a “Ghost Tour” of Baltimore, where a tour guide will take you to all of these haunted locations. And the legendary comic book artist Bernie Wrightson was from Baltimore. He was most famous for drawing horror comics like Swamp Thing and Creepy.

For all of those reasons, there always seemed to be a very clear connection between Baltimore and the macabre. To me, anyway. And I figured that a city like that was the best place to set a story about a boy becoming friends with a troll. So when I was writing The Troll Under Puzzlefoot Bridge, I wanted Lyric Acres to feel like Baltimore.

There’s a historic section of Baltimore, where the cobblestone streets are lined with rickety old buildings. Lyric Acres, by contrast, is ALL cobblestone streets and rickety old buildings. From what we see in The Troll Under Puzzlefoot Bridge, the city is one big “historic section,” with very little modern architecture. Because that was more dramatic. And it gave the book the “Tim Burton for kids” vibe I was going for.

They say you can’t go home again, and that’s true. But you CAN write a graphic novel where you turn your hometown into a weird, old-timey cartoon city.

Please contact me if you want to use this for any reason. arie@ariekaplan.com