Masters
of the Comic Book Universe Revealed!
“Anyone
who has ever loved comic books will enjoy meeting the creative
geniuses responsible for turning this genre into a brilliant
art form.”
—Al Jaffee, Mad Magazine
"Arie manages to get the stories behind
stuff I thought was apocryphal. Revelatory, touching, and
funny."
—Comedian Patton Oswalt, King of Queens
"For people who are just discovering
graphic novels, Arie Kaplan's marvelous book will open up
a whole new world. For those who already love comics, he brings
new insight into a spectrum of creators who have made and
continue to make this one of the great artforms."
—Peter Kuper, World War Three Illustrated
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My first book, Masters of the Comic Book Universe Revealed!,
was published in September 2006 by Chicago Review Press. It's a
series of Rolling Stone-style biographical profiles of great artists
– in this case, comic book creators. By chronicling their
lives and careers, I'm presenting a sort of oral history of the
comics medium itself. I interviewed and profiled eleven innovative
and influential comic book luminaries – Will Eisner
(The Spirit), Jerry Robinson (Batman), Stan
Lee (Spider-Man), Trina Robbins (GoGirl!),
Art Spiegelman (Maus), Gilbert Hernandez
(Love & Rockets), Kyle Baker (Why I Hate Saturn),
Neil Gaiman (Sandman), Dwayne McDuffie
(Static Shock), Ho Che Anderson (KING), and Marjane
Satrapi (Persepolis).
In researching this book, I had a few definite goals in mind. I
tried to make this book more diverse, more multicultural, than the
average book on comics. Many in today’s comics industry have
chosen to use the medium as a forum on the struggles of the oppressed.
You see this in Kyle Baker’s depiction of the Nat Turner revolt;
in Art Spiegelman’s war-torn Holocaust memoirs; in Marjane
Satrapi’s stories of the Islamic Revolution in Iran; in Will
Eisner’s chronicles of old-time Jewish New York; in Ho Che
Anderson’s Wellesian docudrama about the life and death of
Martin Luther King; in Neil Gaiman’s frank, honest depiction
of human sexuality; in Gilbert Hernandez’s tales of Palomar,
the mythical Central American small town. You see it in Stan Lee’s
vision of a 1960s-era multicultural superhero community, and in
Dwayne McDuffie’s ‘90s-era version of same. You see
it in Jerry Robinson’s angry political cartoons and in Trina
Robbins’ equally trenchant feminist funnies. And while diversity
in comics still has a way to go, I believe the writers and cartoonists
profiled herein are a good start.
Some of the people in this book aren’t as famous as the “marquee
names.” But they should be. Everyone in Masters of TCBUR!
is someone who’s doing something different, innovative, and
special in the comics field.
If you are a publisher looking to get in touch with me, please
feel free to contact me through this site or contact my literary
agent, Rita Rosenkranz. Rita Rosenkranz Literary Agency, (212) 873-6333.
Cover art by Ray Alma |