Drawing the Line: The History of Jews in Animation!
Ever since I was a small child, I’ve been obsessed with animation. Every aspect of it. Who made the greatest animated cartoons in cinematic history, how many Fleischer brothers there were (and what each one did), how to spell and pronounce “Ub Iwerks.” All that stuff. And aside from my work as a writer of various other things, I’m also an animation writer. (In fact, you can see some of my animation writing credits HERE and HERE.)
So I know quite a bit about animation, and I also know a lot about animation history. Pay attention to that last bit, because it’ll be important later.
In addition to all of the above, I’m a public speaker. In fact, for a couple of decades before the pandemic, I used to go all over the world (well, all over the US, as well as a few places in Canada and a couple of countries in Europe) and give lectures at various venues including universities, literary festivals, synagogues, libraries, museums, etc. For the past three years, I’ve been giving lectures virtually, because of the aforementioned pandemic (perhaps you’ve heard of it). Hopefully, now that everything’s opening up again, I’ll start lecturing in person once more. Which would be nice, because I really miss those speaking gigs where I’m actually in the same room as my audience. (What a concept!)
No matter whether I lecture virtually or in person, I usually talk about various pop culture-related topics, often from a Jewish perspective. That’s largely because my lecture career started out with me speaking on subjects like the history of Jews in the film industry and the history of Jews in the animation industry. And that kinda became my thing, for reasons too convoluted to go into here. * Then after my book From Krakow to Krypton: Jews in Comic Books was released in 2008, that was the topic I spoke about the most. I mean, I had written a successful nonfiction book on the history of Jews in the comic book industry. Why wouldn’t that be my most frequently requested lecture topic?
I’ve also done some work for the Union for Reform Judaism (aka “URJ”) over the past couple of decades. For instance, I’ve written several articles for them (both print and online), most of which are about various aspects of pop culture history as well.
At the tail end of 2021, the folks at the URJ hired me to make a video about the history of Jews in the animation industry for their “RJ on the Go” platform. It was called “Drawing the Line: The History of Jews in Animation,” and it was up on their site for about a month, from late December of 2021 to late January of 2022. It’s not up there anymore, but they gave me the link so that it can live permanently on my website. With that in mind, you can check it out here:
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* I should clarify that I don’t exclusively talk about these subjects as seen through a Jewish lens, so to speak. Sometimes, in my lectures, I simply talk about film history (in general), or the history of television comedy (in general), or the history of the comic book industry (in general). Other times, I talk about my writing career and how it’s evolved over the years. I’ve even given lectures about specific areas of my writing career, like my career in the video game industry or what it was like working on those three LEGO Star Wars books I wrote for Scholastic. But, at least in certain circles, I am definitely known best for my lectures on the contribution of Jewish folks to various areas of popular culture.
The Ballad of Shirtless Lou
Happy May the Fourth, everyone! In the spirit of this Star Wars-themed quasi-holiday, I wanted to share a Star Wars-themed story. A few years ago, I wrote a LEGO Star Wars book called The Official Stormtrooper Training Manual, which was published by Scholastic in 2016. I decided to write it from the POV of a stormtrooper. So the idea is that an ordinary, lunkheaded stormtrooper is narrating the book. On the section of the book which deals with the “AT-AT” vehicles, I wrote the following joke (among many others):
“The AT-AT is often the first thing sent into a combat zone. The LAST thing sent onto a combat zone is a stormtrooper named ‘Shirtless Lou,’ who has the words WE WON painted on his belly.”
And I didn’t think anything more of the joke after that. Like I said, it was just one of many jokes I jammed into a very joke-heavy book.
But then, years later, while looking through the comments section on the book’s Amazon page (why I was doing that I don’t really know, it’s not a healthy thing to do), I saw the following comment from a parent:
“The text is full of silly jokes that crack my 5 year old Star Wars superfan up. There’s a reference to ‘Shirtless Lou,’ the last stormtrooper to go into battle, that made him laugh so hard that I ordered the Batman-in-swimsuit minifigure and swapped that torso with a stormtrooper so he could have his own Shirtless Lou, and he plays with him all the time. Shirtless Lou is always doing something silly during stormtrooper training and causing Captain Phasma all kinds of headaches.”
Reading that totally made my day. I was – and still am – very happy that somebody appreciated The Official Stormtrooper Training Manual enough to write such a flattering comment about it. And now I’m just upset that I never pitched a “Shirtless Lou” spin-off book, because apparently there’s at least one kid out there who’d read that book.
But the saga of Shirtless Lou doesn’t end there.
Later on, I noticed that someone decided to give Shirtless Lou his own entry in Wookieepedia, the (crowd-sourced, fan-edited) Star Wars Wiki. Here’s the Wookieepedia description of Shirtless Lou:
“Lou, nicknamed ‘Shirtless Lou,’ was a human male stormtrooper of the Galactic Empire. He was considered to be the last thing sent into combat zones, as he had the words ‘WE WON’ painted on his belly.”
Which is…fine. I mean, Shirtless Lou’s Wookieepedia entry is totally accurate, in a way. It never mentions that The Official Stormtrooper Training Manual is a humor book, which is kind of an important detail to leave out, but whatever. Again, I’m just flattered that somebody at Wookieepedia mentioned Shirtless Lou.
I guess my point is that my little one-off joke about Shirtless Lou was apparently a good one, because people seem to have taken notice of it. And as a writer, sometimes you never know which stories (or jokes) people will respond to, and which ones they’ll ignore.
Also, if they somehow work Shirtless Lou into the Ahsoka Disney Plus series, or the fourth season of The Mandalorian, that little shirtless dude will have truly made the big time.