Conventions

1910/19/21

2021 Interviews With Yours Truly!

Last month, I was interviewed by Rebecca Kaplan (no relation) for the geek culture site Comics Bookcase. During the interview, I talked about my career as a comic book writer and children’s author.

Around that same time, I was a guest on Jeramy Moore’s Storymakers podcast. This was a wide-ranging interview about my writing career.

And, just in case you missed them, here are some other press interviews with yours truly from earlier this year:

For Jurassic June (which happened in – wait for it – June), I was interviewed by Thomas Fishenden for the Jurassic Park Podcast. In this interview, I talked about the Jurassic Park and Jurassic World children’s books I’ve written. That interview was broken up into two parts. Part one is here, and part two is here.

In March, as part of WonderCon 2021, I was on a virtual panel that attempted to answer the question: “Who’s the most neurotic superhero?” The other panelists were Travis Langley, Leandra Parris, J.J. Sedelmeier, and R. Sikoryak. The panel was moderated by Danny Fingeroth. 

Also in March, David P. Levin hosted a panel discussion on his Pop Goes the Culture show to discuss the Disney Plus series WandaVision. I was one of the panelists. The other panelists were Danny Fingeroth, Ray Alma, Steve Van Patten, Adam Freeman, and special guest Fred Melamed, who played Vision’s boss in WandaVision.

And last but definitely not least, in February, I was a guest on the MulDiversity podcast, where I was interviewed by Jonita Davis, Mike Majett, Quamani Greer, Avia Knighten, Aaron M. Johnson, and Keisha Malone. During the interview, we discussed my career in comics, my work as a television comedy writer, and more.

237/23/20

This Year, I’m Going To Comic Con…Without Going To Comic Con

Much like other big public events that are involve thousands of people huddled together in a confined space, the San Diego Comic Con is not happening this year. Not the live, in-person, analog version of Comic Con, anyway. However…

This year, SDCC is having a series of virtual panel discussions and other online events. They’ve christened the event “Comic-Con@Home.” It started yesterday, and the online programming goes until Sunday July 26th, 2020.  


I’ll be appearing on a “Comic-Con@Home” panel discussion celebrating the history and legacy of E.C. Comics. The panel will be happening tomorrow, Friday July 24th, 2020, at 6pm PST/9pm EST. The other panelists will be Grant Geissman (Foul Play! The Art and Artists of the Notorious 1950s E.C. Comics!) and Dr. Travis Langley (The Joker Psychology: Evil Clowns and the Women Who Love Them), and the moderator will be Danny Fingeroth (A Marvelous Life: The Amazing Story of Stan Lee), who is the Walter White to my Jesse Pinkman, the Eddie Murphy to my Arsenio Hall. Together, we’ll look back on the lasting impact E.C. has had on comics and on popular culture in general. For more info (and to view the panel on YouTube), click HERE.

E.C. holds a very special place in my heart, especially since I’ve served as a writer for two E.C. titles, MAD Magazine and Tales from the Crypt. Over the years, I’ve written approximately 30 humor pieces for MAD Magazine. I was also one of the writers who worked on the 2008 relaunch of Tales from the Crypt, published by Papercutz.

199/19/19

So, Better Late Than Never, I Guess?

You know what? I’m gonna tell you an embarrassing anecdote about my writing career. (Just like I did last time. And the time before that. And the time before that…You get the idea.) But first, some announcements:

Recently, I wrote a book called The Despicable Me Little Golden Book. As you may have deduced from the title, this book is a Little Golden Books adaptation of the first Despicable Me movie. It’s illustrated by Elsa Chang, and it was published by Penguin Random House on September 3rd, 2019.

Also, I co-authored a book called The LEGO Ninjago Visual Dictionary (New Edition), which was published by DK on September 10th, 2019.

And I wrote 2 humor pieces for MAD Magazine #9, which is on sale now. They are:

  • “What If Batman Were Actually 80 Years Old,” illustrated by Pete Woods
  • “Signs She’s NOT Into You,” illustrated by A Person

BTW, you can read my “What If Batman…” humor piece in its entirety via this Nerdist article about the piece. 

This Sunday September 22nd at 7pm, I’ll be giving a lecture called “Flickering Shadows: Images of the Holocaust in Film & TV” at the Holocaust Memorial Center in Farmington Hills, Michigan.

And remember just a few sentences ago when I mentioned that I co-authored the new edition of the LEGO Ninjago Visual Dictionary? Well, I’ll be signing copies of it at the New York Comic Con in a couple of weeks. All of the signings will take place at the DK booth, which is Booth #2205-J (Part of the Penguin Random House booth). Here’s my signing schedule:

  • Thursday, October 3rd from 3-4pm
  • Saturday, October 5th from 11am-12pm
  • Sunday, October 6th from 2:30-3:30pm

Last week, my friend Gabe Eltaeb interviewed me for an episode of his YouTube show Inside Comics with: Gabe Eltaeb. In the interview, we talked about my writing career, we talked about storytelling in general, and I answered viewer questions. You can check it out here.

That’s it for the announcements. Now, if I remember correctly, I owe you an embarrassing story about my writing career. Ask and ye shall receive:

There’s a pretty popular online animation studio out there called JibJab Bros Studios. These days, they’re known for animated e-cards and music videos. But back in the day, back when it was called JibJab Media, they produced quite a bit of original scripted content. Mainly, they produced animated webseries, like Geezers, about two little old men named Leo and Cicero who’d sit on a park bench and comment on the world around them. Writing scripts for Geezers was one of my first writing credits of any kind and my first-ever credit as an animation writer.

So imagine how thrilled I was when I showed my father the first produced episode of Geezers I wrote. Now, before I go on, I need to provide a little bit of context. See, unlike most people, my folks were supportive of the fact that I wanted to be a writer. All throughout my childhood, they were very encouraging.

That’s why, when my first episode of Geezers came out, I whipped out my laptop and told my dad that I wrote the script for the Geezers episode I was about to show him. He said, “Okay,” and I hit play. The episode is about five minutes long. My dad didn’t laugh once. He had this pained look on his face, like someone was making him watch their kid play a tooth in the school play. Shortly before the end of the episode, he shook his head sadly and groaned, “What IS this garbage? Who actually thought this was funny?”

I couldn’t believe what I was hearing. “Dad,” I said, “What are you talking about? I wrote that.” He got this bewildered look on his face. “You did?” he bellowed. “Well yeah,” I explained. “Don’t you remember? I told you right before I hit play. Why did you think I was showing it to you?” “I don’t know,” he shrugged. “I thought it was something you saw somewhere that you liked.” “Okay…,” I sighed, trying not to sound frustrated. My dad slapped his knees and looked up at me. “Play it again,” he suggested. “From the beginning.” “What?” I was very confused. “But you just saw it, dad. You REALLY didn’t like it. Why would you want to see it again?” “Just play it again, Arie,” he demanded. “Come on!”

“Sure,” I muttered, and I played it again. This time, he laughed at every damn line of dialogue. Oh, it was as though he’d never SEEN anything so funny. I know what you’re thinking: you’re thinking that he was laughing in that forced way people do when they’re showing you pity. But no. This was not that. On the contrary. On the most contrary of contraries. He was genuinely, falling-out-of-his-seat-wetting-himself laughing. IT. WAS. SO. WEIRD. I’ve never seen anything like it, before or since. It’s like he was a robot, and between the first and second viewing of the episode they turned on his emotion chip. After the episode was over, he gave me a big hug and congratulated me on doing such a good job. With no hint of irony whatsoever. There was no, “Well, the first time I saw it, I wasn’t aware that my genius son wrote it, but now that I am, I can appreciate its brilliance.” Even though that was exactly what was going on.

Let me repeat: It was so weird.

And my takeaway from that experience is: Um, thanks, dad? I think?

 

 

 

 

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